ARRI Alexa Mini
Key Features
- 35mm ARRI ALEV III CMOS Sensor
- UHD 4K 3840 x 2160 (Up-Sampled 3.2K)
- MXF/ARRIRAW and 4:3/Open Gate Licenses
- Preinstalled ARRI Look Library License
- Built-In Lens Motor Control and ND Filters
- Requires Lens Mount
- Images Integrate with All ALEXA Models
- Suitable for Gimbals and Quadcopters
- Records to CFast 2.0 Memory Card
- Lightweight Carbon Fiber Body
ARRI ALEXA Mini Overview
Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.
Lightweight body with sturdy design
- Stable in harsh environments from -20° to +45°C / -4° to +113°F
- Sealed electronics
- Non-condensing splash and dust-proof
- Built-in motorized FSND filters 0.6, 1.2, 2.1
Breathtaking image quality
- 35 mm format film-style digital camera Natural skin tones
- Recording up to 200fps
- High Dynamic Range with 14+ stops of exposure latitude
- Optional ARRIRAW and 4:3 licenses
More than just a camera
- Accompanied by a wide range of mechanical and electronic accessories for every use case
- Wireless connectivities via built-in white coded radio and WiFi interfaces
- Easy, rapid, and tool-less transitions between configurations
- Every setup can be adapted individually
Huge variety of lens options
- Rapidly interchangeable lens mounts
- PL or LPL-Mount for cine-style lenses, including those compatible with the ARRI Lens Data System B4 lens mount permits the use of 2/3" video-style B4 lenses
- EF lens mount provides compatibility with a wide range of stills photography lenses
EXT SYNC mode
- For 360° VR, 3D, and VFX applications
- Synchronizing up to 15 ALEXA Minis with one master ALEXA Mini
- Permitting the entire multicamera setup to be operated as if it was one camera
ARRI Look Library support
- 87 predefined creative color gradings, each in three intensities
- Makes on-set look management available to productions of all budgets
- Helps to save time on set
- Additionally, all looks can be used as a basic to create new color gradings
- Available in the ARRI License Shop
Find more information here
Small and Excellent
An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.
Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots.
With an ALEXA Mini you can literally shoot everywhere with the best image quality.
ALEXA Mini Studio Set
The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule.
Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder.
The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set.
| Model | ARRI ALEXA Mini |
|---|---|
| Sensor Type | Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array |
| Sensor Maximum Number of Photosites and Size | 3424 x 2202 28.25 x 18.17 mm / 1.112 x 0.715" ⌀ 33.59 mm / 1.322" |
| Sensor Frame Rates | 0.75 - 200 fps |
| Weight | ∼2.3 kg / ∼5 lbs (camera body with titanium PL lens mount) |
| Photosite Pitch | 8.25 μm |
| Sensor Active Image Area (photosites) | S16 HD: 1600 x 900 HD: 2880 x 1620 2K: 2868 x 1612 3.2K: 3200 x 1800 4K UHD: 3200 x 1800 4:3 2.8K: 2880 x 2160 2.39:1 2K Ana.: 2560 x 2145 HD Ana.: 1920 x 2160 ARRIRAW 16:9 2.8K: 2880 x 1620 Open Gate 3.4K: 3424 x 2202 |
| Sensor Active Image Area (dimensions) | S16 HD: 13.20 x 7.43 mm / 0.520 x 0.292" HD: 23.76 x 13.37 mm / 0.935 x 0.526" 2K: 23.66 x 13.30 mm / 0.932 x 0.524" 3.2K: 26.40 x 14.85 mm / 1.039 x 0.585" 4K UHD: 26.40 x 14.85 mm / 1.039 x 0.585" 4:3 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702" 2.39:1 2K Ana.: 21.12 x 17.70 mm / 0.831 x 0.697" HD Ana.: 15.84 x 17.82 mm / 0.624 x 0.702" ARRIRAW 16:9 2.8K: 23.76 x 13.37 mm / 0.935 x 0.526" Open Gate 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715" |
| Recording File Container Size (pixel) | S16 HD: 1920 x 1080 HD: 1920 x 1080 2K: 2048 x 1152 3.2K: 3200 x 1800 4K UHD: 3840 x 2160 4:3 2.8K: 2944 x 2160 2.39:1 2K Ana.: 2048 x 858 HD Ana.: 1920 x 1080 ARRIRAW 16:9 2.8K: 2880 x 1620 Open Gate 3.4K: 3424 x 2202 |
| Recording File Image Content (pixel) | ProRes S16 HD: 1920 x 1080 ProRes HD: 1920 x 1080 ProRes 2K: 2048 x 1152 ProRes 3.2K: 3200 x 1800 ProRes 4K UHD: 3840 x 2160 ProRes 4:3 2.8K: 2880 x 2160 ProRes HD Anamorphic: 1920 x 1080 ProRes 2.39:1 2K Anamorphic: 2048 x 858 ARRIRAW 16:9 2.8K: 2880 x 1620 ARRIRAW Open Gate 3.4K: 3424 x 2202 ARRIRAW 4:3 2.8K (OG 3.4K): 3424 x 2202 ARRIRAW 2.39:1 2K Ana. (OG 3.4K): 3424 x 2202 ARRIRAW 16:9 HD Ana. (OG 3.4K): 3424 x 2202 |
| Dynamic Range | 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1) |
| Exposure Index | Adjustable from EI 160-3200 in 1/3 stops EI 800 base sensitivity |
| Shutter | Electronic shutter, 5.0°- 356° or 1s - 1/8000s |
| Recording Formats | MXF/ARRIRAW Apple ProRes 4444 XQ Apple ProRes 4444 Apple ProRes 422 HQ Apple ProRes 422 Apple ProRes 422 LT |
| Recording Media | CFast 2.0 Cards |
| Recording Frame Rates | ProRes HD: 0.75 - 200 fps ProRes S16 HD: 0.75 - 200 fps ProRes 2K: 0.75 - 200 fps ProRes 3.2K: 0.75 - 60 fps ProRes UHD: 0.75 - 60 fps ProRes 4:3 2.8K: 0.75 - 50 fps ProRes 2:39:1 2K Ana.: 0.75 - 120 fps ProRes HD Ana.: 0.75 - 120 fps MFX/ARRIRAW 16:9 2.8K: 0.75 - 48 fps MFX/ARRIRAW 3.4K Open Gate: 0.75 - 30 fps |
| Recording Modes | Standard real-time recording Pre-recording Intervalometer Stop Motion |
| Viewfinder Type | Multi Viewfinder MVF-1 with 3,2" flip-out monitor Camera Control Panel (CCP-1) with option to daisy-chain MVF-1 |
| Viewfinder Technology | OLED viewfinder display LCD flip-out monitor |
| Viewfinder Resolution (pixel) | 1280 x 720 |
| Viewfinder Diopter | Adjustable from -5 to +5 diopters |
| Color Output | Rec 709 Rec 2020 Log C Custom Look (ARRI Look File ALF-2) |
| Look Control | Import of custom 3D LUT ASC CDL parameters (slope, offset, power, saturation) Knee, gamma, saturation, black gamma, saturation by hue Support of ARRI Look Library |
| White Balance | Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps Color correction adjustable range from -16 to +16 CC 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values |
| Filters | Built-in motorized ND filters 0.6, 1.2, 2.1 Fixed optical low pass, UV, IR filter |
| Image Outputs | 1x proprietary signal output for MVF-1 viewfinder 2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G and DL 6G (SMPTE ST2081-10, ST2081-11) uncompressed video with embedded audio and metadata |
| Lens Squeeze Factors | 1.00, 1.30, 2.00 |
| Exposure and Focus Tools | False Color Zebra Zoom Waveform Aperture and Color Peaking |
| Audio Input | 1x LEMO 5pin balanced stereo line in (Line input max. level +24dBu correlating to 0dBFS) |
| Audio Output | SDI (embedded) |
| Audio Recording | 2 channel linear PCM, 24 bit 48 kHz |
| Remote Control Options | Web-based remote control from phones, tablets and laptops via WiFi and Ethernet Camera Access Protocol via Ethernet and WiFi GPIO interface for integration with custom control interfaces WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio |
| Interfaces | 1x LEMO 5pin LTC Timecode In/Out 1x LEMO 10pin Ethernet for remote control and service 1x BNC Sync In (optional activation through ARRI Service) 1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and unregulated power output (outputs battery voltage) 1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable 1x USB 2.0 (for user setups, look files etc) |
| Wireless Interfaces | Built-in WiFi module (IEEE 802.11b/g) Built-in White Radio for ARRI lens and camera remote control |
| Lens Mounts | Titanium PL lens mount with LBUS connector LPL lens mount with LBUS connector PL lens mount with Hirose connector EF Mount (LBUS) EF lens mount B4 lens mount with Hirose connector Leitz Cine Wetzlar M lens mount |
| Flange Focal Depth | PL mount: 52 mm LPL mount: 44 mm |
| Power Input | 1x LEMO 8pin (10.5-34 V DC) |
| Power Consumption | min. 43 W max. 84 W (Camera body with MVF-1) |
| Power Outputs | 1x LEMO 7pin EXT unregulated power output (outputs battery voltage) with max. 1.1 A |
| Measurements (HxWxL) | 140 x 125 x 185 mm / 5.5 x 4.9 x 7.3" (camera body with PL lens mount) |
| Operating Temperature | -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics |
| Storage Temperature | -30° C to +70° C / -22° F to +158° F |
| Sound Level | 20 dB(A) at 24fps |
| ARRI ALEXA Mini Body |



























